The Resonant Memory of Earth

THE RESONANT / Bert Strolemberg. Klem Magazine

Bert Strolemberg. Klem Magazine, Issue 116. «After a long search this talented Spanish ambient musician has found a new home to publish his new cd. This is Cobacho’s 3rd album, and again it has become one of pure beauty. There are 4 lenghthy tracks, the last one being the 38 min. titletrac. They all are … Read more

The Resonant Memory of Earth

THE RESONANT / Caleb Deupree , Ambient Visions

Caleb Deupree , Ambient Visions «Max Corbacho’s new release, Resonant Memory of Earth, should appeal to lovers of slow, quiet, dreamy ambience such as James Johnson’s Entering Twilight and the second disc of Steve Roach’s Dreamtime Return. Although nominally divided into four tracks, Resonant Memory is really a 73-minute opus with no breaks and few … Read more

The Resonant Memory of Earth

THE RESONANT / Stéphan Geschiere

Stéphan Geschiere, independent reviewer, Holland «Wow, what a impressive release Max did! It was really worth waiting for. Knowing Max’s other well received releases ‘Vestiges’ and ‘Far beyond the Immobile Point’, this one is ‘even’ more overwhelming to me.. The 4 pieces takes you into new ‘enlightning’ places… The opening piece ‘Remote Sensing’ starts with … Read more

The Resonant Memory of Earth

THE RESONANT / Phil Derby, Exposé Magazine

Phil Derby / Exposé Magazine «mp3.com’s loss is Tony Gerber’s gain. As musicians leave mp3.com in droves following its restructuring in 2001, Gerber’s SpaceForMusic.com label is grabbing up a fair number of them. Gerber does a fair job of separating the wheat from the chaff with artists like Craig Padilla and Max Corbacho now in … Read more

VESTIGES / Rhys Philip Buckingaham

  Rhys Philip Buckingaham from Nelson, New Zeland «I discovered Max Corbacho’s rich atmospheric music by chance just as I had found Robert Scott Thompson’s masterpieces of computer generated ambience a year or so ago. Max is a Spaniard whose musical directions certainly are strongly influenced by RST, and also Steve Roach and Michael Stearns. … Read more

Far Beyond the Immobile Point

FAR BEYOND THE IMMOBILE POINT / Hector Jordan, Groove Unlimited

Hector Jordan, Groove Unlimited From the darkness of remote intergalactic space to the brigtness of stars, Corbacho’s music has an energy that gives the listener the feeling of belonging into an eternal, endless pulse of an ever-expanding universe, leading our imagination through the immensity of the cosmos in a tireless quest in the realms of … Read more

Far Beyond the Immobile Point

FAR BEYOND THE IMMOBILE POINT / Lloyd Barde , Backroads Music

Lloyd Barde / BackroadsMusic «The second release from Spain’s Space Music ace is here! A bit deeper, darker and longer, this mp3 CD (like Giles Reaves’ «Sacred Space») is a serious space journey. There are less elements of a tribal nature on this one, and the «desert soundscape» aspect of the debut, «Vestiges» are not … Read more

VESTIGES/ Phil Derby, Exposé Magazine

Phil Derby / Exposé Magazine «Vestiges is a great ambient expanse of soundscapes much in the style of Roach, but with a Spanish flair, particularly in the percussion that is added. This is immediately evident on the first track, «Desolada.» Despite a healthy dose of drums, the sweeping synthesizer textures that surround them convey a … Read more

Far Beyond the Immobile Point

FAR BEYOND THE IMMOBILE POINT /Chuck van Zyl, Star´s End

  Chuck van Zyl Host: Star’s End http://www.starsend.org chuckv@starsend.org «It is especially incumbent upon every spacemusician to know and understand the audience for which their music is produced. In this genre of aural impressionism and sonic expressionism it is the audience who completes each piece in the listening. On the cryptically entitled «Far Beyond TheImmobile … Read more

Far Beyond the Immobile Point

FAR BEYOND THE IMMOBILE POINT / Phil Derby, Sequences Magazine

  Phil Derby / Sequences Magazine «Drawing on influences of the best of floating ambience, from Steve Roach to Robert Scott Thompson, Spaniard Max Corbacho places his own stamp on the genre with his second CD, a solid follow-up to his very good «Vestiges» CD. The tribal elements have been stripped away this time around, … Read more

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