Expansive, drifting ambient zones – beatless, minimal. The series of compositions on Breath Stream are smooth, flowing sonic states that fade seamlessly one into another creating an unbroken listening experience. Airy drones and steady velvet washes gently rise and fall in graceful slow motion, the sound thickening into harmonious even tone in places, then dispersing into almost atonal enormity. At times the intensity of the music drops down low as if the listener were increasingly isolated, distant, remote – or perhaps simply more profoundly at rest, wholly immersed and almost motionless. Beguiling effects burble or flutter on the peripheries, little motes and flickers some barely perceived, sonic breezes drifting through the aural space.

MOOD

The most pervasive mood here is one of almost blissful submission – a captivating serenity imbued with a sense of enveloping immensity. The track titles effectively draw together strands of galactic isolation and deeply personal inner experience – The Great Breath, This Luminous Space, No Day nor Night, Pure Being. Max’s music suggests the tranquil euphoria of being suspended weightless among morphing luminous nebulae, warm clouds of shifting colour, beautiful dreams and faintly recalled memories.

ARTWORK

The Breath Stream jewelcase is a deep, dark spacey blue package. Initially the main image appears as a view of infinite space – closer inspection reveals a horizon, one bright spiralling arm laid out like a flat plain stretching away into the distance. Above starlike clusters form further spirals, spirals of spirals – clusters of imaginary galaxies. Similar visuals fill the rear cover – an unobtrusive tracklist hanging in the upper left quadrant – times alongside. The two panel insert opens to display a closer view of the front cover image – here focussed on the foreground – a little like a glass bottomed boat to the universe. Information is minimal – credits to the left a quote from Vietnamese Monk Thich Nhat Hanh to the right – «Breath is the bridge which connects life to consciousness, which unites your body to your thoughts.»

OVERALL

Breath Stream builds upon the solid foundation laid down by Max Corbacho’s previous release The Talisman. Coming now as the eighth release from this rising Spanish ambient star – the new album exhibits a formidable depth of sound unveiled with masterful restraint. Much of the music arose from long improvisational sessions utilising Max’s collection of hardware synths, catching those moments of magic – selecting and arranging the most absorbing passages into unbroken flow. The album is to be the first of a series of digital releases, offering downloads at iTunes, Amazon, Rhapsody, eMusic and Napster, among others, and, also, full CD quality downloads through the well respected new download platform www.musiczeit.com. Catch some samples at the Musiczeit page.

WHO WILL LIKE THIS ALBUM

If you enjoyed The Talisman then Breath Stream will take you further into the rapture and beauty of Max’s enormous musical space. This is a release for fans of warm, inviting, minimal ambience with the soft sonic density of Thom Brennan, Numina and Steve Roach. No beats – just infinite space – effulgent, dark, rich in colour, perpetually black.

Phil Derby / Exposé Magazine

«Vestiges is a great ambient expanse of soundscapes much in the style of Roach, but with a Spanish flair, particularly in the percussion that is added. This is immediately evident on the first track, «Desolada.» Despite a healthy dose of drums, the sweeping synthesizer textures that surround them convey a sense of calm. Like much of Roach’s more organic works, the music lives and breathes. «Night Caravan» continues the feeling of spaciousness, as the ambient sounds envelope the very pleasant drumming. Slightly more active at first is «First Rain,» but the relaxing ebb and flow continues thoughout. In fact, the drums disappear for the first time over the latter half of this track. The drumming returns, slightly more tribal, on «Erosion.» Throughout, one is reminded of classic Steve Roach discs like Dreamtime Return, or Desert Solitaire.

Titles like «Death Valley» draw such comparisons even closer. This is the sparsest piece,though each of the last three tracks is very free flowing, very ambient, with little or no percussion. The title track has some brighter tones mixed in, and reminds me somewhat of American space music artist Glenn Deardorff. It makes a perfect closer to an extremely relaxing and very enjoyable CD.