Greetings to all. Indalo is here again!!  Waiting for all the new music to be revealed, and for those who have asked for the relaunch of Indalo for a long time, the digital edition is now available here in my Bandcamp store. In the coming days, it will be launched on all digital portals, Spotify, and all other Streaming services.
Indalo is a record taken from an old collaboration with my friend and composer Bruno Sanfilippo. Released in 2003 as a CD, for several years this work has been unavailable in any format, both digital and physical, in spite of being habitual in the schedules of radio stations like Heart of Space, Star’s End and others. After continuing receiving many requests from fans during all this time, and in response to this demand, Indalo will be available as a digital release through maxcorbacho.com. To further improve the experience and rediscovery of this work, two unreleased tracks have been  added to the original seven in the Bandcamp download. These two tracks were created during the year 2002 and presented as candidates to appear on the album. In the end, they were not selected and have remained hidden all these years. Today, I think the addition of these two forgotten tracks add interest to a work that many of my new followers do not know, but I think they will like it. The album, by express wish of Bruno, is credited only and definitely as a solo album by Max Corbacho in a new and redesigned cover art. Hope all you enjoy this music. Order the Digital Download direct from Bandcamp.
This is all for now, please keep in touch, I hope to send you more news soon!

All the best,
Max Corbacho

Morpheus Music & The Mall Magazine

MUSIC

 Smooth, synthetic ambient zones. This is an album of immersive atmopheres without beat or melody, designed to set the listener adrift. Welling up like waves on the shore, washes of tone arise and roll one over another in constant succession – some deep and sonorous, some light, thin, others full of sonic detritus caught in the tide – percussive rattles like churning pebbles. Ever-receeding surges of sound drain back into the next wave. As the album pulls away from the shoreline the electronic ocean becomes dark and obscure in places, floating forms drifting by, heavy masses of tone heaving and pulling. Tracks blend one into another, the only indication of a progression usually being a lessening of intensity, a lightness as if surfacing momentarily. New tracks subtly intorduce fresh voices into the mix and some shifts of scale.

ARTWORK

 Liquid ripples and solarised reflections fill two panels of the cover booklet in rich blues, turquoises, terracotta hues and dark shadows. The title text sitting in a heavy border of shadow near the base. On the reverse an ambiguous out of focus photo-image works as backdrop for the titles and an explanation of the project. Within we find a gear list, recording details and credits, some special thanks and contact information – this is presented on a white background with an accompanying monochrome reflection image.

OVERALL

 For his third album, Max Corbacho presents four longform pieces ranging from just over six minutes to thirty eight minutes fifteen seconds. Designed for continuous playback – the tone is generally a serious one drifting somewhere in between warmth and cold. The concept behind the music is that of the «earth call» – what Max describes as «that feeling pulling us away from the cities to seek contact with the rock, the earth and water …». A strong sense of space with something of the viscosity of liquid pervades this album – the listener is able to feel suspended in sound, surrounded in all directions, afloat, immersed

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