MAX CORBACHO[Max Corbacho has been creating Ambient Atmospheric – Electronic Music for over two decades, combining spiraling, synth-driven drifting harmonies with breathing, timeless soundscapes.][Ambient Atmospheric – Electronic Music - Soundscapes - Space Music]

ARS LUCIS – review by Phil Derby, Electroambient Space

max — Wed, 18 Nov 2009 00:00:00 +0000

Phil Derby / Electroambient Space

Max Corbacho’s music is getting increasingly ambient with each new release. If he gets any more relaxed than Ars Lucis, by the time his next album comes out I will only make it through the first two minutes before I drift off into blissful slumber. Corbacho truly is “in the zone” lately, the pure float zone. This is formless, non-melodic music that nonetheless has depth and warmth in abundance. Variances between tracks are subtle yet distinct. For example, “Narthex” has a particularly bright, shimmering tone to it, whereas “Light-Matrix Portal” has a richer, more expansive sound. Still, the basic principle is the same throughout – take a few delicate layers of sound, blend them subtly and smoothly together, and maintain the mood for several minutes with gradual changes. Corbacho does an excellent job of blending lighter and darker elements together, such that the end result should please both dark ambient and new age listeners, although it may not be “pretty” enough for the latter. For true ambient fans, this is as good as it gets.

THE TALISMAN / Marius-Christian Burcea, Journeys to the Infinite

max — Fri, 26 Jan 2007 00:00:00 +0000

Marius-Christian Burcea, Host of «Journeys to the Infinite

There are many ways to describe «Talisman» but the best way is to try it for oneself, and that is what this album is all about:

the experience of fragile vastness of our psyche. Max Corbacho provides mind altering soundscapes as each track connect us to Luminous Bliss. «Talisman» is an ambient opus invitating us to explore the inner fathoms. Excellent work

FAR BEYOND THE IMMOBILE POINT / Phil Derby, Sequences Magazine

max — Mon, 04 Dec 2000 00:00:00 +0000

Phil Derby / Sequences Magazine

«Drawing on influences of the best of floating ambience, from Steve Roach to Robert Scott Thompson, Spaniard Max Corbacho places his own stamp on the genre with his second CD, a solid follow-up to his very good «Vestiges» CD. The tribal elements have been stripped away this time around, leaving a sparser, sometimes darker sonic landscape. From the high soft shimmers of «Primigenial Frontier» to the low rumblings of «Predawn Darkness,» the mood throughout is haunting and dramatic, yet serene and beautiful. «Predawn Darkness» in particular walks the tightrope between darkness and beauty quite admirably. Roach fans will at once think back to his epic, «The Magnificent Void.» The deep, low drones are first rate, and the feeling of expansiveness is palpable. «The Threshold» has a metallic character, almost but not quite shrill, with rich tonal qualities. An undercurrent of strange percolating noises really enhances the atmosphere. Not all is darkness and crevasses, however. «Invisible Jewell» has elegance and warmth, though it is still rooted firmly in ambient rather than new age realms. This is perfectly soothing, comparing favourably with Thompson’s excellent work, «The Silent Shore.» «The Great Sparkling Dome» is also a bit brighter in parts, but still tends toward minimal broad strokes of sound, becoming almost silent here and there. It is very calming and relaxing with just the right tinges of darkness. «Soundless Sign» is, as it implies, the quietest track, approaching soft stillness. Finally, the 20-minute title track wraps things up perfectly, slowly shifting and drifting to a sparkling, spacious conclusion.»