MAX CORBACHO[Max Corbacho has been creating Ambient Atmospheric – Electronic Music for over two decades, combining spiraling, synth-driven drifting harmonies with breathing, timeless soundscapes.][Ambient Atmospheric – Electronic Music - Soundscapes - Space Music]

THE OCEAN INSIDE – Review by Sonicimmersion.org

max — Sat, 22 Dec 2012 00:00:00 +0000

After quite a quite a long hiatus, Spanish ambient composer Max Corbacho is back with double album of expertly crafted atmospheric ambient pieces, clocking over 140 minutes.

Bearing the subtitle «slow movements from the depths», Mr Corbacho takes his listeners on an epic and stellar soundscape journey with a vast range of extensive, highly immersive flows and currents.

There’s a beautiful ebb and flow shifting through the emotive and profound ethereal sound paintings, taking the listener out into the spectacular of wide open, constantly shifting spaces which lack any melody.

This uninterrupted smooth alchemy of ambient/space sound architecture connects with the massive sound worlds Mr Roach was known for many years. This accomplished Spanish musician jumped on the power trail of drift music where Steve seems to have lost quite a bit of his magic in recent years, ending each disc with a long dreamy track.

All in all, the long form and beatless «The Ocean Inside» is gently evolving, pure atmospheric bliss evoking a beautiful sense of wonder and awe. This excellently produced and mastered ascent into the deep blue depth is highly recommended.

http://www.sonicimmersion.org/review.php?letter=C&review=72591

THE OCEAN INSIDE – Review by Landscape Music

max — Sat, 15 Dec 2012 08:09:51 +0000

The Ocean Inside is the long awaited new album of Max Corbacho presents an immersive flow of emotional soundworlds and harmonic structures that bring us to the depths of the inner ocean.
Max Corbacho returns with a new work, this time as a long awaited double album, which again immerse ourselves into touching atmospheric ambient realms of pure beauty. The Ocean Inside is a paradise of lush, cascading long chords, as oceanic waves, back and forth, in an eternal flow of shifting tones and spiraling harmonies. This is music aimed at energy, emotional and mental levels, for listeners who love deep, meditative ambient music.

With this awesome album Corbacho portrays a very personal and introspective journey divided in two parts: one in his now classical melodic and cosmic style full of beauty and dreams and the other one introducing a deeper and a bit darker scenario surrounded by massive amounts of pads and drones that takes us to the dephts of serenity, like laying in the ground of an infinite ocean. In the end, this album is just an acurated soundtrack of every human soul.

More than two years ago I started this project from a Eastern concept that has always been present in my work: the analogy that exists between the mind as an ocean, with constantly changing waves at the surface, and the inner stillness and silence at the depths. It is from this seed that brings me to the concept of «Oceanic», the word from which I have been developed each of the parts that make up the album. During the creation of these pieces, I tried to go as deep as I could into this bottomless ocean depths. The Ocean Inside is the record of that dive into the depths, the witness that what matters is not how deep you can go, if not the experience of that moment.

The Ocean Inside is a double album and is now available in ad21 store in 2-CD Digipack format and in Altera Orbe both FLAC and MP3 digital formats. Don’t miss it!!

DEEP TIME – review by SONIC CURIOSITY

max — Sun, 15 May 2011 00:00:00 +0000

This release from 2011 offers 74 minutes of sparkling ambience.

Three tracks comprise this release, and they are long, really long, allowing the songs to gradually evolve and excellently establish a mood of cosmic infinity.

Atmospheric tones dominate the first piece, creating a panorama of limitless scope that suits the tenuous music’s sparse definition. Scattered throughout this void are fragile electronics that twinkle like remote stars, tantalizing the flow with their cosmic expressions. Deeper tones slowly enter the mix, establishing a foundation that is elusive and not really a foundation at all, but simply another stage in the constant accretion of sounds that muster to coalesce into these ambient soundscapes. The twinkling diodes persist in resurging, each time bringing with them another taste of infinity. The flow remains harmonic, never achieving any discernible melody, but the structure is rich with vaporous potency. Spoken voice wanders into the mix, whispered at the edge of forever and heralding the advent of a universe to come.

The second track possesses a darker temperament to its minimal definition. The notes strive to inject more density into the gaseous stream, an impending mass that is seasoned by the persistence of those twinkling electronics. As the track progresses, the sparkling embellishments grow more expressive, producing a zone of transition that illuminates the inner mind with their portentous glitter. After a period of recession, the flow reestablishes itself with renewed vigor, smoldering with chilly resonance.

The last track continues in the same vein: peppering remote texturals with twinkling electronics which serve to banish the dark and provide understated effulgence whose distant origins only increase their appeal. The twinkling rise and ebbs, teasing the listener’s psyche with this wandering definition.

Taken as a whole, this album is a wonderful journey deep into realms where substance has no meaning. The compositions urge the listener to cast off their mortal trappings and immerse themselves in an environment devoid of distractions, while the twinkling continues to provide a lifeline that also serves to tickle the psyche into introspection and serenity.

Matt Howarth – SONIC CURIOSITY

www.soniccuriosity.com

DEEP TIME – review by Hypnagogue

max — Tue, 05 Apr 2011 00:00:00 +0000

Having most recently lifted listeners upward with the celestial/sacred drifts of Ars Lucis, Max Corbacho turns the sound around and heads downward in the penumbral, primal and purposely murky spaces of Deep Time. For people who’ve listened to Corbacho in the past, this new release is a distinct departure, a strictly atmospheric work of formless drifts, painted with cave echoes and rumbling drones with smatterings of disembodied voices rising out of the gloom. It’s not dark ambient per se; it never ventures into anything quite that dense or heavy. Rather, let’s call it grey ambient–it’s dark in a way that leads us to the edge of that shadowy space inside ourselves and then lets our head take over as the sound moves forward. Slight touches of dissonance up the subtle anxiety, from not-quite-in-tune chimes clanging in a phantom wind to anguished curls of sound that rise and fade to mist. Corbacho’s pacing mixes contemplation and suspense, points where the breathing eases to the beatless cadence paired off with sections where some edgy thing in the flow constricts the breath. Entire passages move through, bending time as they go. Deep Time is constructed in three long parts, the shortest coming in at 17 1/2 minutes. Each is a solid long-form piece in itself, sharing a sense of character and theme but still richly individual. Taken together, it’s an hour of mood- and mind-altering ambient.

Corbacho goes all out on Deep Time to sculpt this trio of worlds, daring to take an unfamiliar path and, in the long run, making it distinctly his. It’s a disc that needs to be listened to closely. Each moment is loaded with motion and dimension, Corbacho’s sounds unlocking primal sensations and spinning them off into an isolated mindspace for us to chase after and examine. Spend time in Deep Time–who knows what you might find in there?