NOCTURNAL EMANATIONS / Glenn Folkvord, Electronic Shadows

Glenn Folkvord / Electronic Shadows

«Nocturnal Emanations is Max Corbacho’s fourth album, a seamless longform work of ambient soundscapes, subtle electronic-tribal rythms, and sampled sounds. While perhaps not the most innovative combination of styles and sounds (many artists create this kind of ambient music) it all comes together in a pleasant mix and with an uplifting spirit. The sampled sounds fit very well with electronic textures, wether they are jungle sounds or more abstract underwater impression.

For those who think that 73 minutes of ambient floating music is too much, there are a handful of tracks with subtle beats and rythms, such as on The slow and wandering dust where electronic sounds (not typical drum or percussion sounds) are sequenced into gentle beat patterns that gives the ambient pads support and a sense of dynamic movement. On Along the moonlit rift the rythm patterns are slightly heavier, probably sampled sounds and processed electronically, but still quite «light» and full of space. But the general feeling of the album is that of far-out ambient space sounds, firmly rooted in electronic territory, without the use of flutes, guitar or wind chimes. The sound quality is excellent too; a professional recording and production.

Nocturnal Emanations falls nicely between Steve Roach’s Early Man and Jean Michel Jarre’s Waiting for Cousteau (the title track) with many details to discover during repeated listening sessions.

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