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SPLENDID LABYRINTHS – Review by Textura.org

Since the release of his debut album Vestiges in 1998, Max Corbacho has worked towards progressively refining an electronic music style that’s been described as ‘Ambient Atmospheric – Space Music.’ That he has close ties to Bruno Sanfilippo, with whom he established the ad21 label and collaborated on two albums (2003’s Indalo, 2012’s Bioma), also says much about the … Read more

Splendid Labyrinths out May 15. Now taking pre-orders

  Dear friends and listeners, I’m happy to present you Splendid Labyrinths. Following the release of Future Terrain last month, it is the time of the album in which I have worked over the last year and the first months of 2015. I continued my work in the pursuit of purely atmospheric expression, in an attempt to convey this vital … Read more

Splendid-Labyrinths Low

SPLENDID LABYRINTHS – Review by Morpheus Music

STYLE  Vast beatless zones and undulating velvet expanses: Splendid Labyrinths is an album of ambient immensity and immeasurable time. Max Corbacho’s latest release features heaving multi-layered drones that seem to drift in and out of focus and intensity like slow-motion sunlight filtering through gracefully moving storm clouds. These opulent sonic textures are of impressive fathomless … Read more

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SPLENDID LABYRINTHS – Review by Percorsi Musicali

L’ambient music odierna si compone di un grosso ventaglio di scelte: generi e sottogeneri in forma multipla, intersezioni con l’attualità digitale e rappresentazioni con sfumature umorali, hanno prodotto un ampio raggio d’azione che, in verità, non è più controllabile all’occhio critico. Si è compiuto un processo di consolidamento, in cui l’iniziale e crescente audience di … Read more

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SPLENDID LABYRINTHS – Review by Sonicimmersion

Since he started out releasing music in 1999, accomplished composer Max Corbacho had delivered the ambient community a very nice and consistent collection of highly spherical ambiences. «Splendid Labyrinths» (following right after his download-only dark ambient recording «Future Terrain») is a next chapter in his what Max likes to refer to as his pursuit of … Read more

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SPLENDID LABYRINTHS – Review by Caerdroiandream

It’s been nearly two and a half years since Max Corbacho released his last album, The Ocean Inside, which was an epic two and a half hour journey through monumental soundscapes and gorgeous atmospheres, the entire album an ambient masterpiece, concluding with the hauntingly beautiful Deeper Into the Ocean, a song I wished would never … Read more

ARS LUCIS / Bert Strolember, Sonicimmersion

Bert Strolember, Sonicimmersion After the gentle ambience of his 2008-release «BreathStream», Max Corbacho takes us to ambient heaven with his release «Ars Lucis». Those familiar with his work know what he’s capable of, spending lots of time in his studio sculpturing and harmonizing a continuous flow of expansive textures, which now have ended up in … Read more

BREATHSTREAM / Morpheus Music

Morpheus Music & The Mall Magazine Expansive, drifting ambient zones – beatless, minimal. The series of compositions on Breath Stream are smooth, flowing sonic states that fade seamlessly one into another creating an unbroken listening experience. Airy drones and steady velvet washes gently rise and fall in graceful slow motion, the sound thickening into harmonious … Read more

The Resonant Memory of Earth

THE RESONANT / Caleb Deupree , Ambient Visions

Caleb Deupree , Ambient Visions «Max Corbacho’s new release, Resonant Memory of Earth, should appeal to lovers of slow, quiet, dreamy ambience such as James Johnson’s Entering Twilight and the second disc of Steve Roach’s Dreamtime Return. Although nominally divided into four tracks, Resonant Memory is really a 73-minute opus with no breaks and few … Read more

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